Wednesday, February 27, 2013

Constructed Truth

Author's note: This is a piece responding to the short story Teddy by J.D. Salinger. This was the highest level symbolism I had yet encountered and needed to pull out a lot of prior knowledge from Life of Pi and The Allegory of the Cave. I also did a lot of collaboration with peers and Mr. Johnson. As I always do, my initial writing had a very broad scope and I had a problem focusing in on one topic. After some revision, I  decided to write about how conventional knowledge confines the way we think. Though I tried to add in some good vocabulary words, my main hope is just that the piece has one clear thesis throughout it. I have a nagging feeling that the last paragraph does not do so, but I couldn't bring myself to take it out because I'm somewhat fond of it.

Onboard a ship in the open seas, Teddy is a young boy whose views are not understood by anyone. He talks crazy, so it seems, about existence and predicting the future. Most people take a strong disliking of him for this reason. However, it is because they fail to see the entire picture, as he does. Their view of life is fragmented, distorted by their own minds. Conventional knowledge encloses us to one way of seeing things, and destroys our ability to accept other verities.

Teddy is merely a modern adaptation of Plato’s Allegory of the Cave.  In that story, a cave prisoner broke free and ran away. What he found was something he'd never dreamed of in his prior life. Everything was something he didn't know, and wouldn't have known existed if he had stayed in the cave. Teddy looked out the window of his enclosure, too. He saw orange peels. Nothing astounding, but it surely would have been if he had not known that orange peels or even a world outside the boat existed. If Teddy hadn't looked, the peels weren't even really there to him.

Now, if one had lived a specific way his whole life, and one day suddenly found something new, he'd be amazed. This was true with the escaped prisoner of the allegory. He was excited and went back to tell the others, but it was not an easy feat. They were simply ignorant. Living their entire lives in the cave, there was no reason to believe anything else existed. Even if they tried to believe, they couldn't possibly do so. How can you explain 3-D to someone who lives in a 2-D world? You cannot. Teddy tried though, and people were dumbfounded. Some people hated him for it, like his father and sister. They thought he was full of nonsense and grew quickly tired of it. Others tried to understand and were intrigued, but still had more doubts than belief.

In Plato’s allegory,  the people of the cave did not just make up stories on their own. For in every generation,one cannot think a thought without prior knowledge of anything.  The allegory tells of a civilization, forced all their lives to stare at a wall which only showed their shadows cast in front of them. What they saw wasn't real, but only an illusion and all they'd ever known.  They lived through shadows and that was their reality. We live based on what we know. We know a cat is a cat because that's what it's called; we made up a story for it. The construction of knowledge actually illustrates  the way we perceive the world around us, and the fatal flaw here is that we can easily mistake this created vision for truth.

More specifically, people adhere to conventions based on what they  all see and agree they have seen. Anyone who sees things differently might just be labelled an oddity. If he speaks of something they don't know, of course they won't believe him. Their fire of knowledge already shines too brightly to see clearly. In Teddy's case, the ones most skeptical of him, it seems, are the people who smoke cigarettes. His father is dead-set against his ideas, done with his nonsense and yelling at the boy for his every move. Nicholson, a fellow passenger on the cruise, has the most questions. Yet he also goes through several cigarettes during the conversation, and frequently he draws further back into disbelief. Both continue drawing themselves toward fire and away from truth.

Ultimately, both the escaped prisoner and Teddy's findings get them killed. No one wants to believe there's something huge out there that they don't know about. Teddy takes place on a cruise ship, a giant man-made thing that drifts upon the wild, vast, unknown  ocean. Teddy is the only one in the story who ever looks outside the boat. The rest are content swimming with others in their safe, artificial pool upon a floating containment. Though,the ocean world looks much different from atop the deck of the ship. If they never leave the boat, they will never truly know the ocean.